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According to a statement from the Public Interest Research Group, the National Defense Authorization Act for Fiscal Year 2026 has removed language that would have granted the US military the right to repair its own equipment rather than requiring it to use official defense contractors for maintenance. This bill is still being considered by Congress, but it is uncertain whether the right to repair language is likely to be re-introduced once it has been removed. "Despite support from Republicans, Democrats, the White House and key military leaders, troops will keep waiting for repairs they could perform themselves," US PIRG Legislative Associate Charlie Schuyler said in a statement from the organization. "Taxpayers will keep paying inflated costs. And in some cases, soldiers might not get the equipment they need when they need it most."A bipartisan bill from Senators Elizabeth Warren and Tom Sheedy was introduced earlier this year to allow the military right to repair access. The topic has been a more piecemeal affair for laypeople in the US, with some states enacting their own laws and federal regulators sometimes intervening to offer consumers more choice in how they seek repairs. This article originally appeared on Engadget at https://www.engadget.com/big-tech/congress-removes-right-to-repair-language-from-2026-defense-bill-231708835.html?src=rss
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Marketing and Advertising
Katsuhiro Harada is departing Bandai Namco at the end of 2025. He announced the news both with a farewell note shared on X and, in possibly the coolest exit ever, with an hour-long DJ mix. Harada's 30-year career has most closely been involved with Tekken and he's a familiar face in the fighting game community.He began as a voice actor in the original Tekken game and continued to do so even as he became a director for the series. He has worked on other Bandai Namco titles as a producer, both in and out of the fighting genre. "Each project was full of new discoveries and learning, and every one of them became an irreplaceable experience for me," Harada wrote on X. "To everyone who has supported me, to communities around the world, and to all the colleagues who have walked alongside me for so many years, I offer my deepest gratitude."He closed by saying that over his career, he never DJed at a tournament event. So to mark his departure, Harada posted a full set titled TEKKEN: A 30-Year Journey Haradas Final Mix to SoundCloud. Which is just the most swag move I can think of and a fun way to close out this chapter for fans of the franchise.This article originally appeared on Engadget at https://www.engadget.com/gaming/katsuhiro-harada-is-leaving-bandai-namco-after-30-years-223156258.html?src=rss
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Marketing and Advertising
Despite making some moves to address the proliferation of AI-generated audio on its platform, Spotify failed to catch a copycat making imitations of music by King Gizzard & the Lizard Wizard. The long-running experimental rock band from Australia, has been a vocal critic of Spotify and was one of several artists that took their music off the platform in the summer. The move was in response to the discovery that outgoing CEO Daniel Ek was a leading investor in an AI-focused weapons and military company. Today, a poster on Reddit was recommended what appeared to be an AI-generated copy of one of the band's songs in Spotifys Release Radar playlist. The phony artist was called King Lizard Wizard and it had an album of tracks all sharing titles with songs by the original band and using their original lyrics. Futurism grabbed screenshots of the imposter, although it appears to have since been taken down; only the band's original page appears in searches for both their name and the AI name. However, the phony King Gizzard band's album went unnoticed by the company for weeks before today's social post surfaced it. The Reddit thread points to several other anecdotal cases where someone attempted to trick listeners with AI-generated versions of popular bands. In September, Spotify unveiled a spam filter for catching AI slop, as well as policies for disclosing AI use in the content it hosts and how it would tackle AI impersonations. An instance like this, particularly when it features an artist that had left the platform in protest, creates a pretty big question mark about how well those policies are working. This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/an-ai-copycat-of-king-gizzard--the-lizard-wizard-went-unnoticed-on-spotify-for-weeks-220018144.html?src=rss
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Marketing and Advertising
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